As much as it’s preaching to the Dante-converted choir, the new X2P is one of the best reasons yet to consider going down the AOIP route in the first place.
Part 2 in a series of ADR-related articles. This second instalment examines the benefits, approaches and increased use of on set ADR in film and television.
UPDATED FOR 2017 : With the kind permission of our friends at movie statistics website www.the-numbers.com, we present another piece of thought-provoking data: This time their Top 50 Supervising Sound Editors by worldwide box office.
Last week saw the announcement of the nominations for the 69th Emmy® Awards. In amongst the awards for all aspects of TV production are a handful that are of particular interest to Resurface and our readers. The audio categories!
UPDATED: With the kind permission of our friends at movie statistics website www.the-numbers.com we present the 2017 update of their Top 50 Re Recording mixers by worldwide box office, with notes on the movers and shakers.
Danny Finn is a UK-based TV Mixer of note. In an award-winning career of 25 years behind the console he has mixed a number of successful and high profile UK TV shows. Follow the trials and tribulations of a staff mixer going freelance.
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