Dolby Atmos is here to stay, Resurface talks to leading audio post professionals about getting Atmos-ready and the benefits of working natively in the format.
At the recent Media Production Show in London, Resurface co-founder Ben Nemes chaired a panel discussion with four of the top ADR mixers currently working in TV and Film. A central theme was the acronym itself, and what alternatives might better reflect the role of ADR in storytelling.
Like many pieces of technology, control surfaces are sold on the strength of increased efficiency. These efficiencies only materialise when the operator can squeeze every drop out of the technology, which is where training comes to the fore. Resurface looks at the options, including a new Avid-certified one day course.
Last April’s NAB show saw the release of new tools putting Dolby Atmos in the hands of more audio professionals. We look at fresh stats on momentum for Atmos as a format and product update news from Dolby at this year’s NAB.
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