We’ve seen a number of Euphonix System 5 consoles advertised and sold on Resurface over the course of our first year. System 5’s extensive feature set can be daunting, we asked Euphonix Guru Rich Morson to break it down into basics, using Pro Tools features as a benchmark.
In this, the third instalment in our series of articles on ADR, we look at the craft from the ADR Mixer’s point of view.
We do so once again with the help of RTS-Award winning Supervising Sound Editor Chris Roberts.
The final instalment of our 3-part series following the trials and tribulations of Danny Finn: A staff mixer of 25 years going freelance. Scroll down the Newsfeed for parts 1 & 2.
As much as it’s preaching to the Dante-converted choir, the new X2P is one of the best reasons yet to consider going down the AOIP route in the first place.
Emmy® nominated sound editor Kate Hopkins gives Resurface an insider’s perspective on her trip to the awards ceremony in LA: the story of her Emmys weekend.
Part 2 in a series of ADR-related articles. This second instalment examines the benefits, approaches and increased use of on set ADR in film and television.
Last week saw the announcement of the nominations for the 69th Emmy® Awards. In amongst the awards for all aspects of TV production are a handful that are of particular interest to Resurface and our readers. The audio categories!
Danny Finn is a UK-based TV Mixer of note. In an award-winning career of 25 years behind the console he has mixed a number of successful and high profile UK TV shows. Follow the trials and tribulations of a staff mixer going freelance.
In this, the first in a series of articles on ADR, we look at the craft from the actor’s point of view, with the help of RTS-Award winning Supervising Sound Editor Chris Roberts.