UPDATED FOR 2017 : With the kind permission of our friends at movie statistics website www.the-numbers.com, we present another piece of thought-provoking data: This time their Top 50 Supervising Sound Editors by worldwide box office.
Last week saw the announcement of the nominations for the 69th Emmy® Awards. In amongst the awards for all aspects of TV production are a handful that are of particular interest to Resurface and our readers. The audio categories!
UPDATED: With the kind permission of our friends at movie statistics website www.the-numbers.com we present the 2017 update of their Top 50 Re Recording mixers by worldwide box office, with notes on the movers and shakers.
Danny Finn is a UK-based TV Mixer of note. In an award-winning career of 25 years behind the console he has mixed a number of successful and high profile UK TV shows. Follow the trials and tribulations of a staff mixer going freelance.
In this, the first in a series of articles on ADR, we look at the craft from the actor’s point of view, with the help of RTS-Award winning Supervising Sound Editor Chris Roberts.
In this second installment of Scene : Heard, Supervising Sound Editor James Mather talks to Resurface about the car chase scene in Mission: Impossible – Rogue Nation.
Danny Finn is a UK-based TV Mixer of note. In an award-winning career of 25 years behind the console he has mixed a number of successful and high profile UK TV shows. Follow the trials and tribulations of a staff mixer going freelance.
Resurface are delighted to congratulate three of our incredibly talented contributing members on their success at last night’s British Academy Television Craft awards.
Dolby are democratising and actively promoting toolsets aimed at audio professionals who want to create, edit, mix and master Dolby Atmos content for Blu-ray™, digital delivery, gaming and VR. Two new software bundles, the Atmos Mastering Suite and the Atmos Production Suite are aimed at anyone producing audio in Pro Tools 12.
Please let us know what else you would like to see and if you have any pertinent detail you’d like to contribute, we welcome your input. Please mail info @ resurface.audio with input and any suggestions.