Scene : Heard – Mission Impossible – Rogue Nation
In this second installment of Scene : Heard, Supervising Sound Editor James Mather talks to Resurface about the car chase scene in Mission: Impossible – Rogue Nation.
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Hitting Solo: Adventures In Turning Freelance – Part 1
Danny Finn is a UK-based TV Mixer of note. In an award-winning career of 25 years behind the console he has mixed a number of successful and high profile UK TV shows. Follow the trials and tribulations of a staff mixer going freelance.
Resurface congratulates our community members on their 2017 BAFTA wins!
Resurface are delighted to congratulate three of our incredibly talented contributing members on their success at last night’s British Academy Television Craft awards.
Dolby Democratises Immersive Audio Production
Dolby are democratising and actively promoting toolsets aimed at audio professionals who want to create, edit, mix and master Dolby Atmos content for Blu-ray™, digital delivery, gaming and VR. Two new software bundles, the Atmos Mastering Suite and the Atmos Production Suite are aimed at anyone producing audio in Pro Tools 12.
Client-attended sessions : A thing of the past?
Client-attended mix sessions in audio post production have become increasingly rare. With the help of some of the UK’s most prolific and successful TV mixers, we examine why and what it means for audio post professionals.
Why finance companies love funding used consoles
Duncan Payne of media equipment leasing specialist Azule Finance explains the appeal of funding used kit, whether for companies freelancers or sole traders.
Avid MTRX Review
Award winning audio engineer Justin Fraser tests the new Pro Tools|MTRX
Introducing Frozen Fish Design
Based in the south London suburb of Hampton Wick, Frozen Fish have been doing some remarkable things with hybrid console bespoke design across the globe. Resurface paid them a visit to talk about their craft.
Modularity and the Modern Mixer : The Explosion of Choice
In today’s scaleable, modular, infinitely assignable world; Is there such a thing as too much choice?
Please let us know what else you would like to see and if you have any pertinent detail you’d like to contribute, we welcome your input. Please mail info @ resurface.audio with input and any suggestions.