Client-attended mix sessions in audio post production have become increasingly rare. With the help of some of the UK’s most prolific and successful TV mixers, we examine why and what it means for audio post professionals.
Duncan Payne of media equipment leasing specialist Azule Finance explains the appeal of funding used kit, whether for companies freelancers or sole traders.
Award winning audio engineer Justin Fraser tests the new Pro Tools|MTRX
Based in the south London suburb of Hampton Wick, Frozen Fish have been doing some remarkable things with hybrid console bespoke design across the globe. Resurface paid them a visit to talk about their craft.
In today’s scaleable, modular, infinitely assignable world; Is there such a thing as too much choice?
Resurface caught up with mixer Graham Wild and sound designer Kate Hopkins to talk about the astounding Planet Earth II, their approach to the project and its unique set of creative challenges and rewards.
Resurface is proud and honoured to have been asked by Sony Pictures Entertainment in Culver City to re-home a very significant piece of film sound mixing technology.
Tim Carroll, highly respected and influential Avid audio chief, has left his role of VP Audio Products after more than 20 years at the company. Tim is to join Focusrite as Chief Executive Officer.
Resurface talks to Simon Ray at Goldcrest Post in London about their new Dolby Atmos Premier stage, and the big decisions he made along the way.
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