Avid S4 and S1 – Early Reflections
First thoughts on the recently-announced Avid S4 and S1 control surfaces, which configurations look most appealing, and what they mean to the control surface landscape.
First thoughts on the recently-announced Avid S4 and S1 control surfaces, which configurations look most appealing, and what they mean to the control surface landscape.
When it comes to getting shows delivered, all eyes are on audio. Industry pros compare notes on Remote recording in a socially distanced world.
2020 Awards Season is upon us. Resurface looks at the contenders and, once again, predicts the likely winners for Best Sound.
AoIP has recently become a red-hot topic in audio post. Having spoken to customers across the sector, Resurface looks at why.
The Resurface team will be attending October’s AES and NAB shows in New York. Drop us a line if you’d like to meet and discuss your console plans.
In the days before its worldwide release, Oscar-winning Supervising Sound Editor Glenn Freemantle spoke to Resurface about Yesterday, his previous work with Danny Boyle, and much more besides.
Businesses, governments and institutions around the world are talking about “The Circular Economy” and how it might contribute to saving the planet. Resurface looks at what it is, and how it relates to the way we consume audio technology.
With the 2019 awards season fully underway, we look at the Best Sound category nominees across the board, including today’s AMPS Award announcement. Predictions are particularly tricky this year.
We look at the all time top 50 film supervising sound editors, ranked according to worldwide box office. Updated with 2018 data, we highlight the top dogs, the movers and shakers.
Please let us know what else you would like to see and if you have any pertinent detail you’d like to contribute, we welcome your input. Please mail info @ resurface.audio with input and any suggestions.