The Dub Chart 2018 : Top 50 Re-Recording Mixers
We look at the all time top 50 film re-recording mixers, ranked according to worldwide box office. Highlighting the all time number 1 along with this year’s notable movers.
News Feed
Netflix NP3 Program : First Post Partners Signed
Following on from the launch of the Netflix NP3 Program in August, the first accredited post houses are live on the Netflix site. Resurface looks at the early adopters and we talk to The Farm Post about their Netflix experience.
DSP Isn’t Dead : The Digital Console Renaissance
Only a few years ago, the digital console era looked to be drawing to a close. Resurface looks at why the DSP Console has undergone a renaissance.
Avid S6 Power for Power-Users Launched
ISD (Intelligent Studio Devices) have developed and launched a new power supply module specifically designed for the discerning Avid S6 power user.
Netflix Post Partner Program Launched
Netflix are a major client for post houses worldwide, and are set to up the ante. Resurface looks at their recently launched Post Partner Program, and why post houses large and small should sign up.
Dolby Atmos Mixing : Now is the time to immerse yourself!
Dolby Atmos is here to stay, Resurface talks to leading audio post professionals about getting Atmos-ready and the benefits of working natively in the format.
ICON D Control & D Command Faders available
Give your Icon a birthday! Resurface have stock of brand new faders for both D Control and D Command. Both types of faders are pre-fitted with wiring harnesses for simple swap-out (no soldering needed!).
Avid Icon End Of Support – What Happens Now?
With thousands of ICONs still in daily use the world over we look at the facts and the uncertainty facing owners, with the End Of Support date now just two months away.
ADR for TV and Film : Why the Acronym Doesn’t Reflect
At the recent Media Production Show in London, Resurface co-founder Ben Nemes chaired a panel discussion with four of the top ADR mixers currently working in TV and Film. A central theme was the acronym itself, and what alternatives might better reflect the role of ADR in storytelling.
Please let us know what else you would like to see and if you have any pertinent detail you’d like to contribute, we welcome your input. Please mail info @ resurface.audio with input and any suggestions.